Malinda Haslett           

80 Seaman Ave. Apt 3H  New York, NY 10034

917-734-3063  mmhaslett@mac.com

www.malindahaslett.com

 

Received by eight ovations, soprano Malinda Haslett began the 2008-09 season with her German debut at the famed Berlin Konzerthaus.  Joining the Berliner Cappella in the German premiere of Ethel Smyth's Prison, Ms. Haslett sang the role of The Soul.  Continuing the season, Ms. Haslett will reprise her award winning Pamina in Die Zauberflöte with The Syracuse Opera, followed by a series of concerts with the Fort Wayne Philharmonic Orchestra, debut with the Sarasota Artist Recital Series, and Musetta in La Bohème with the Bridgeport Symphony in Connecticut.

 

2007-08 saw Ms. Haslett's return to Nashville Opera with the world premiere of Robert Aldridge and Herschel Garfein's long awaited work: Elmer Gantry, which The New York Times claimed "An operatic miracle."  Ms. Haslett then reprised her role, Lulu, with Great Performances at Montclair in New Jersey.  Further 07-08 engagements included a return to Chautauqua Opera as Violetta, a house debut with Opera Carolina as Zerlina, guest appearances with the Savannah Sinfonietta, Soprano Soloist in Beethoven's Ninth Symphony with the Fingerlakes Choral Festival of New York and rounding out the season with the Chautauqua Symphony as Soprano Soloist in Beethoven's Choral Fantasy.

 

International notable performances include her French and Belgian performances as Violetta which were proclaimed by Le Soir as "one of elegance, grandeur and refined power.  Brilliant, Mademoiselle Haslett misses not even a drop of emotion to perfect each tableau."  She has sung Nannetta in Falstaff, both with the Le Grand Théâtre de Limoges and the Le Grand Théâtre d Reims, where she will return in 2009.  Further engagements in France have included Pamina in Die Zauberflöte and Micaëla in Carmen with the Festival Lyrique-en-mer.  In Italy, Ms. Haslett won competitions Concorso Internazionale di Tito Schipa and the Concorso Internazionale di Roma, as well as gave a recital for the former president:  Luigi Scalfaro.  In Canada, Ms. Haslett has sung with the Calgary Symphony, and in Mexico she made her debut with Zerlina in Don Giovanni with Ópera de Zapopan.  With the Quintessence Chamber Ensemble, Ms. Haslett has sung throughout the Baltic region of Asia, having given concerts in Turkey, Estonia, and Russia as well as throughout Norway and Sweden.

 

Ms. Haslett has performed extensively in the US, having sung Violetta with legendary Maestro Anton Coppola, Juliette in Roméo et Juliette with both the Utah Symphony and Opera and Nashville Opera, Susanna in Le nozze di Figaro with Lyric Opera of Kansas City, The Naples Philharmonic Orchestra, Syracuse Opera, and The West Virginia Symphony, Oscar in Un ballo in maschera with the Atlanta Opera, both Nannetta in Falstaff and Leïla in Les pêcheurs des perles with Sarasota Opera, Pamina in Die Zauberflöte  with Syracuse Opera, for which Opera News wrote, "Ms. Haslett sang 'Ach, ich fühls' with such meltingly limpid phrases that the audience held its collective breath. She is a singer who deserves more attention."  She has sung the title role in La fille du Régiment with the Lyric Opera of Cleveland, Norina in Don Pasquale and Mabel in Pirates of Penzance with the Fort Worth Opera, Frasquita in Carmen with San Diego Opera, Adina in L'elisir d'amore with Augusta Opera, Musetta in La Bohème with West Bay Opera, and both Valencienne in Die Lustige Witwe and Berta in Il barbiere di siviglia with the Virginia Opera.

 

On the concert stage, Ms. Haslett made her Lincoln Center debut with The American Symphony Orchestra as Bangsa and Erste Mädchen in Hindemith's Das Nusch-Nuschi.  She has sung as Soprano Soloist with the Seattle Symphony, Portland Orchestra, Orchestra of St. Luke's, Pittsburgh Bach Choir, Santa Barbara Symphony, Stamford Symphony, Chautauqua Symphony, Augusta Symphony, Ocean City Pops, Bar Harbor Music Festival, Queens Symphony Orchestra, Bangor Symphony Orchestra, Lubbock Symphony Orchestra, and Eastern Connecticut Symphony Orchestras.  Ms. Haslett also served as co-guests of honor with now President Obama for the largest campaign drive in history with the American Cancer Society.


Ms. Haslett has been under the direction of such notable conductors and directors as Kerstin Benke, Sandra Bernhard, Richard Bradshaw, Leon Botstein, David Briskin, Ken Cazan, Grant Cooper, Anton Coppola, John Di Costanzo, Jack Everly, William Florescu, Arthur Fagen, Ward Holmquist, John Hoomes, Robert Hossein, Philippe Hui, Karen Keltner, Mark Lamos, Stefan Lano, Eric Lederhandler, Jay Lessenger, David Levi, Timothy Lindberg, Dottie Danner, Mark Flint, Joe Illick, David Gately, Richard McKee, James Meena, Nicolette Molnàr, Scott Perry, Fred Scott, Manon Savary, Henri-Jean Servat, Jerry Shannon, Adriano Sinivia, Bernard Uzan, Philip Walsh and Dean Williamson.

 

Ms. Haslett is a recipient of the prestigious Rotary International Ambassadorial Scholarship.  Her discography includes Father And Son and Hymns to the Goddess, both with Parthenia XII and A Tribute to Diana, all on the Vox Label.  As the title character on Nicole, The Trial of the Century, by Grammy nominated composer Anthony Newman, she may be heard on the Albany Label, and her most recent recording entitled A Yuletide Celebration was released in 2005.

 

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